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Stevie Let there be no doubt – the most significant factor to his tone is the man himself, his playing style and his passion.Broken down even more – it’s what he plays, how he plays it and what equipment he used to support him, that produced his overall SRV signature style and tone.After having listened to and played his music for some decades we are amused with how most players focus on all the minor details and tend to overlook the big important factors.We will shed some new light on the case “How to achieve the SRV tone” – but not by listing all of Cezar Diaz’ amp mods.Also make sure that the neck wood and lacquer is smooth and not braking and limiting your bend moves when in contact with your fingers.A guitar set up for SRV is not easy to master for entry-level players that favor easy-played low-action guitars with thin strings.But by endless practicing of the SRV technique, energy and power, you will achieve both great guitarist skills and tone. An important factor to his big and powerful tone was that he used several amps both in studio and on stages, each delivering their thing to the table.

You deserve to try playing Mary had a little lamb with a slightly cranked Princeton Reverb equipped with a Jensen C12n speaker. Just make sure the amps are dialed in correctly with powerful speakers that don’t distort and have lots of punch, both lows and highs. Make sure it is not pushed too hard into distortion, but set nicely at its sweet spot with just s little power amp breakup (think Little Wing intro).

Few artists have been so widely discussed among guitar players in terms of tone influence.

Players around the entire world have tried to replicate Stevie Ray Vaughan’s licks and tone, and it sure as hell is not easily done.

The SRV-tone can achieved with many different guitars, amps, pedals and speakers as long as you use them correctly together.

But, after having said this – SRV hung on to some specific pieces of gear and ways to use his gear, that made his tone as we know it. Strings It is not just the matter of big strings, it’s the relation between string gauge and the power in your hands and fingers. He had no problems with bending and shaking 013, 015, 019 strings for hours.

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